{"id":328,"date":"2020-08-13T11:51:41","date_gmt":"2020-08-13T11:51:41","guid":{"rendered":"https:\/\/traditiicreative.ro\/precursori\/?page_id=328"},"modified":"2020-09-25T08:10:12","modified_gmt":"2020-09-25T08:10:12","slug":"brancusi","status":"publish","type":"page","link":"https:\/\/traditiicreative.ro\/precursori\/brancusi\/","title":{"rendered":"Br\u00e2ncu\u0219i"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600609565064{padding-top: 50px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_empty_space height=&#8221;80px&#8221; el_class=&#8221;hidemobile&#8221;][vc_column_text]<\/p>\n<h1 style=\"font-size: 45px;\">Constantin Br\u00e2ncu\u0219i<\/h1>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;24px&#8221;][vc_column_text]<\/p>\n<h3>(1876 &#8211; 1957)<\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_empty_space height=&#8221;80px&#8221;][vc_column_text]<\/p>\n<p style=\"color: #000;\">Br\u00e2ncu\u0219i, unul dintre cei mai \u201euniversali\u201c rom\u00e2ni, este artistul care, \u00een secolul al XX-lea, a transformat complet arta modern\u0103 \u0219i perspectiva asupra sculpturii. A abandonat metodele de expresie clasice c\u0103ut\u00e2nd \u201esensul real al lucrurilor\u201d.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1031&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; el_class=&#8221;no-bckg-img-ipad&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1599583148104{margin-top: 50px !important;margin-bottom: 50px !important;}&#8221;][vc_column][vc_column_text]\u00centotdeauna a p\u0103strat cu sine filonul \u201e\u021b\u0103r\u0103nesc\u201d pe care \u00eel etala cu ostenta\u021bie. Completeaz\u0103 acest fond cu pasiunea sa p\u00e2n\u0103 la obsesie de a extrage esen\u021ba, de a g\u0103si forme laconice\u00a0printr-un dialog direct cu materia din care reies noi idei.[\/vc_column_text][vc_empty_space height=&#8221;24px&#8221;][vc_column_text]<\/p>\n<p style=\"color: #396aaf;\"><em>\u201eNu trebuie s\u0103 silim materialele s\u0103 vorbeasc\u0103 \u00een limba noastr\u0103, ci trebuie s\u0103 le ducem p\u00e2n\u0103 la acel punct unde al\u021bii vor \u00een\u021belege limba lor. Nu po\u021bi s\u0103 faci ceea ce vrei tu s\u0103 faci, ci numai ceea ce \u00ee\u021bi permite materialul.\u201c<\/em><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;24px&#8221;][vc_column_text]Br\u00e2ncu\u015fi lucra cioplind direct \u00een material, f\u0103r\u0103 a utiliza modele \u00een procesul de crea\u021bie, c\u0103ut\u00e2nd s\u0103 redea nu aspectul exterior, mimetic, al fiin\u0163ei \u00eentruchipate \u00een materie, ci spiritul acesteia, esen\u0163a. Filosofia sa de lucru sus\u021binea c\u0103 materialul este cel care \u00eel ghideaz\u0103 \u00een realizarea unei opere, iar \u201emateria trebuie s\u0103 \u00ee\u015fi continue via\u0163a natural\u0103 \u015fi dup\u0103 ce au intervenit m\u00e2inile sculptorului.\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1599587648746{margin-top: 50px !important;margin-bottom: 0px !important;}&#8221;][vc_column]<div class='testimonials_c_holder clearfix dark'><div class=\"testimonials_c testimonials_c_carousel\" data-show-navigation=\"yes\" data-animation-speed=\"\" data-auto-rotate-slides=\"10\" data-number-per-slide=\"1\"><ul class=\"slides\"><li id=\"testimonials-c-1214\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p>\u201eArtistul trebuie s\u0103 \u015ftie s\u0103 scoat\u0103 la suprafa\u0163\u0103 fiin\u0163a din interiorul materiei \u015fi s\u0103 fie unealta care d\u0103 la iveal\u0103 \u00eens\u0103\u015fi esen\u0163a sa cosmic\u0103, \u00eentr-o existen\u0163\u0103 cu adev\u0103rat vizibil\u0103.\u201d<\/p><p class=\"testimonial_author\" style=\"font-size: 20px;\"><a style=\"color:#315996\">Constantin Br\u00e2ncu\u0219i<\/a><\/p><\/div><\/div><\/div><\/li><li id=\"testimonials-c-1210\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p>\u201eFiecare material \u00ee\u0219i are propria sa via\u021b\u0103 \u0219i nu po\u021bi s\u0103 distrugi nepedepsit un material viu pentru a face un lucru mut, f\u0103r\u0103 via\u021b\u0103. Adic\u0103, nu trebuie s\u0103 \u00eencerc\u0103m s\u0103 facem materialele s\u0103 vorbeasc\u0103 \u00een limba noastr\u0103, ci trebuie s\u0103 mergem p\u00e2n\u0103 \u00een acel punct \u00een care al\u0163ii vor \u00een\u0163elege limba lor.\u201d<\/p><p class=\"testimonial_author\" style=\"font-size: 20px;\"><a style=\"color:#315996\">Constantin Br\u00e2ncu\u0219i<\/a><\/p><\/div><\/div><\/div><\/li><li id=\"testimonials-c-1208\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p>\u201eNu po\u0163i s\u0103 faci ceea ce vrei s\u0103 faci, ci numai ce \u00ee\u0163i permite materialul. Nu po\u0163i s\u0103 faci din marmor\u0103 ceea ce ai voie s\u0103 faci din lemn \u2013 \u015fi nici din lemn ceea ce ai vroi s\u0103 faci din piatr\u0103.\u201d<\/p><p class=\"testimonial_author\" style=\"font-size: 20px;\"><a style=\"color:#315996\">Constantin Br\u00e2ncu\u0219i<\/a><\/p><\/div><\/div><\/div><\/li><\/ul><\/div><\/div>[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1599584149474{margin-top: 50px !important;margin-bottom: 80px !important;}&#8221;][vc_column]<div class=\"qode-horizontal-timeline qode-timeline-top\">\n\t<div class=\"qode-timeline\">\n\t    <div class=\"qode-events-wrapper\">\n\t        <div class=\"qode-events\">\n\t            <ol>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"21\/02\/1876\"><span class=\"qode-event-text\">1876<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1888\"><span class=\"qode-event-text\">1888<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1894\"><span class=\"qode-event-text\">1894<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1898\"><span class=\"qode-event-text\">1898<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1902\"><span class=\"qode-event-text\">1902<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1907\"><span class=\"qode-event-text\">1903<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1910\"><span class=\"qode-event-text\">1904<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1914\"><span class=\"qode-event-text\">1906<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1917\"><span class=\"qode-event-text\">1907<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1920\"><span class=\"qode-event-text\">1908<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1929\"><span class=\"qode-event-text\">1913<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1935\"><span class=\"qode-event-text\">1916<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t                    <li><a href=\"javascript:void(0)\" data-date=\"14\/08\/1942\"><span class=\"qode-event-text\">1957<\/span><span class=\"circle-outer\"><span class=\"circle-inner\"><\/span><\/span><\/a><\/li>\n\t                \t            <\/ol>\n\t            <span class=\"qode-filling-line\" aria-hidden=\"true\"><\/span>\n\t            <div class=\"qode-dots\"><\/div>\n\t        <\/div>\n\t    <\/div>\n\t    <ul class=\"qode-timeline-navigation\">\n\t        <li><a href=\"#0\" class=\"qode-prev inactive\"><\/a><\/li>\n\t        <li><a href=\"#0\" class=\"qode-next\"><\/a><\/li>\n\t    <\/ul>\n\t<\/div>\n\t<div class=\"qode-events-content\">\n\t    <ol>\n\t        <li class=\"qode-hti-content\" data-date=\"21\/02\/1876\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1876 (Hobi\u021ba) &#8211; Se na\u0219te Constantin Br\u00e2ncu\u0219i<\/h5>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u015fi s-a n\u0103scut pe data de 21 februarie 1876 \u00een satul Hobi\u021ba, situat \u00een jude\u021bul Gorj, Rom\u00e2nia. P\u0103rin\u021bii s\u0103i, Nicolae \u0219i Maria Br\u00e2ncu\u0219i, erau \u021b\u0103rani s\u0103raci care-\u0219i c\u00e2\u0219tigau cu greu existen\u021ba.<\/p>\n<p>&nbsp;<\/p>\n<p>Casa \u00een care a crescut Br\u00e2ncu\u0219i era o cas\u0103 tipic\u0103 de \u021bar\u0103, s\u0103r\u0103c\u0103cioas\u0103 \u00een ceea ce prive\u0219te utilit\u0103\u021bile, dar foarte bogat\u0103 \u00een decora\u021biunile \u00een lemn. Acestea se puteau g\u0103si aproape oriunde, de la obiectele uz caznic \u0219i st\u00e2lpi de sus\u021binere, p\u00e2n\u0103 la fa\u021bad\u0103. Stilul \u00een care au fost realizate aceste ornamente au fost primii stimuli vizuali pentru Br\u00e2ncu\u0219i \u0219i cea mai timpurie form\u0103 de inspira\u021bie pentru lucr\u0103rile sale.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1888\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1888 (Craiova) &#8211; Br\u00e2ncu\u0219i pleac\u0103 de acas\u0103<\/h5>\n<p>&nbsp;<\/p>\n<p>La v\u00e2rsta de 12 ani, \u00een anul 1888, a plecat definitv de acas\u0103 \u0219i s-a \u00eendreptat spre Craiova, ora\u0219 \u00een care avea s\u0103 tr\u0103iasc\u0103 zece ani, lucr\u00e2nd ore interminabile \u00een cafenele \u0219i restaurante, sp\u00e2l\u00e2nd vase \u0219i pahare sau cur\u0103\u021b\u00e2nd mesele. A fost \u0219i chelner timp de \u0219ase ani \u00eentr-o c\u00e2rcium\u0103.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1894\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1894 (Craiova) &#8211; Prima meserie \u0219i \u00eenceperea \u0219colii de arte<\/h5>\n<p>&nbsp;<\/p>\n<p>Norcul s\u0103u avea \u00eens\u0103 s\u0103 se schimbe \u00een anul 1984, c\u00e2nd g\u0103se\u0219te de lucru \u00eentr-o pr\u0103v\u0103lie. La un moment dat, unul dintre clien\u021bi \u00eel provoac\u0103 s\u0103 me\u0219tereasc\u0103 o vioar\u0103. S-a ridicat la \u00een\u0103l\u021bimea provoc\u0103rii \u0219i a creat o vioar\u0103 doar din materialele pe care le avea la \u00eendem\u00e2n\u0103 \u00een pr\u0103v\u0103lie. Un industria\u0219 bogat, pe numele de Grecescu, impresionat de aceast\u0103 \u00eent\u00e2mplare, a considerat c\u0103 ar fi p\u0103cat ca talentul t\u00e2n\u0103rului Br\u00e2ncu\u0219i s\u0103 se iroseasc\u0103 \u0219i a decis s\u0103-l sus\u021bin\u0103 financiar pentru ca acesta s\u0103 se poat\u0103 \u00eenscrie \u0219i s\u0103 urmeze cursurile la \u0218colii de Arte \u0219i Meserii din Craiova. Un ajutor financiar foarte important, a primit \u0219i din partea Bisercii Adormirea Maicii Domnului din Craiova, ajutor care i-a permis lui Br\u00e2ncu\u0219i s\u0103 \u00eenceap\u0103 \u0219coala \u00een luna septembrie a aceluia\u0219i an.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1898\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1898 (Craiova, Bucure\u0219ti) &#8211; Absolvirea \u0219colii de arte \u0219i \u00eenscrierea la facultate, \u00een Bucure\u0219ti<\/h5>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i a absolvit cu onoruri \u0218coala de Arte \u0219i Meserii \u00een anul 1898. I s-a oferit posibilitatea s\u0103 expun\u0103, la v\u00e2rsta de 22 de ani, una dintre lucr\u0103rile sale, un bust din ghips al lui lui Gheorghe Chi\u021bu, fondatorul institu\u021biei de \u00eenv\u0103\u021b\u0103m\u00e2nt pe care tocmai o absolvise, \u00een Expoz\u021bia Public\u0103 a jude\u021belui Oltenia, care s-a desf\u0103\u0219urat \u00een Parcul Bibescu.<\/p>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i ajunge \u00een Bucure\u0219ti \u00een anul 1898, unde devine student la sec\u021bia de sculptur\u0103 a Academiei de Arte Frumoase, ale c\u0103rei cursuri le va urma pentru urm\u0103torii patru ani. S\u0103r\u0103cia continu\u0103 s\u0103-i urmeze fiecare pas, fiind obligat s\u0103 v\u00e2nd\u0103 mo\u0219tenirea modest\u0103 pe care o primise de la p\u0103rin\u021bi. Pentru a se putea \u00eentre\u021bine, \u00eencepe s\u0103 spele vase \u00eentr-un restaurant situat pe strada C\u00e2mpina, din capital\u0103.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00cen perioada pe care o petrece la Academie, Br\u00e2ncu\u0219i este convis de un coleg, Ion Croitoru, s\u0103 se \u00eenscrie ca membru \u00een corul unei biserici. Aici \u00eenva\u021b\u0103 s\u0103 c\u00e2nte at\u00e2t \u00een stilul Bizantin \u0219i c\u00e2t cel Gregorian.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1902\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1902 (Bucure\u0219ti) &#8211; Primele lucr\u0103ri<\/h5>\n<p>&nbsp;<\/p>\n<p>Dintre sculpturile din aceasta perioad\u0103, <em>Ecorseul<\/em> realizat in 1902, comandat de profesorul de anatomie Dr. Dimitrie Gerota, \u00een scopuri didactice, a fost folosit ca model de anatomie pentru mult timp \u00een cadrul Academiei de Arte Frumoase.<\/p>\n<p>&nbsp;<\/p>\n<p>Aceast\u0103 lucrare denota o excelent\u0103 cunoa\u0219tere anatomiei. \u00cen 1903 a primit prima comand\u0103, bustul Generalului Carol Davila, fondatorul scolii Medicale din Rom\u00e2nia. In perioada \u0219colii a ob\u021binut mai multe premii dintre care o men\u021biune pentru bustul Vitellius \u0219i o medalie de bronz pentru bustul Laocoon.<\/p>\n<p>&nbsp;<\/p>\n<p>Lucr\u0103rile realizate \u00een aceast\u0103 perioad\u0103 reliefeaz\u0103 abilit\u0103\u021bile sale tehnice \u0219i acurate\u021bea \u0219tiin\u021bific\u0103.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1907\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1903 (Bucure\u0219ti, Munchen, Paris) &#8211; Absolvirea studiilor universitare \u0219i primele c\u0103l\u0103torii \u00een Europa<\/h5>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i a absolvit Academia de Arte Frumoase din Bucure\u0219ti \u00een anul 1902 \u0219i, la sfatul prietenului s\u0103u Dimitrie Paciurea, ajunge la M\u00fcnchen \u00een anul 1903. \u00cen acea perioad\u0103, ora\u0219ul era centrul unor tendin\u021be progresive \u00een art\u0103, care se \u00eencadrau \u00een curentul Art Nouveau.<\/p>\n<p>&nbsp;<\/p>\n<p>Aici \u00eel \u00eent\u00e2lne\u0219te pe artistul \u0219i prietenul s\u0103u Frederich Storck, care \u00eei ofer\u0103 ajutorul. Viziteaz\u0103 muzee, frecventeaz\u0103 cafenelele unde se str\u00e2ngea elita artistic\u0103 a ora\u0219ului, se plimb\u0103 pe str\u0103zi \u0219i prin parcuri \u0219i \u00ee\u0219i caut\u0103 de munc\u0103, \u00eens\u0103 f\u0103r\u0103 succes.<\/p>\n<p>&nbsp;<\/p>\n<p>Ora\u0219ul german nu-l atrage, pe de-o parte pentru c\u0103 nu reu\u0219e\u0219te s\u0103 \u00eenve\u021be german\u0103, iar pe de alt\u0103 parte pentru c\u0103 preg\u0103tirea oferit\u0103 de \u0218coala de Arte din M\u00fcnchen era foarte asem\u0103n\u0103toare cu ceea \u00eenv\u0103\u021base deja la Bucure\u0219ti.<\/p>\n<p>&nbsp;<\/p>\n<p>A\u0219a c\u0103, \u00eentr-o zi de prim\u0103var\u0103 a anului 1904, decide s\u0103 porneasc\u0103 spre Paris.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1910\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1904 (Paris) &#8211; Br\u00e2ncu\u0219i ajunge la Paris<\/h5>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i sose\u0219te \u00een Paris pe data de 14 iulie 1904. Experien\u021ba c\u0103l\u0103toriei este redat\u0103 de acesta \u00eentr-o manier\u0103 vie \u0219i expresiv\u0103, din care reiese c\u0103 drumul parcurs a fost asemeni unui itinerariu aproape ini\u021biatic.<\/p>\n<p>&nbsp;<\/p>\n<p>Pentru \u00eenceput, este g\u0103zduit de prietenul s\u0103u din Bucure\u0219ti, Daniel Poian\u0103, la Condorcet nr. 9, aproape de Montmartre. Acesta \u00eei g\u0103se\u0219te \u0219i primul loc de munc\u0103, ca sp\u0103ltor de vase la Braseria Chartier. \u00ce\u0219i schimb\u0103 domiciliul de mai multe ori \u00een urm\u0103torii trei ani.<\/p>\n<p>&nbsp;<\/p>\n<p>Datorit\u0103 unei burse modeste, primit\u0103 de la Ministerul de Arte \u0219i Educa\u021bie din Rom\u00e2nia, se \u00eenscrie, \u00een anul 1904, la Ecole des Beaux-Arts unde particip\u0103, p\u00e2n\u0103 \u00een anul 1906, la cursurile sus\u021binuite de Anton Mercier.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00cen aceast\u0103 perioad\u0103 de doi ani, Br\u00e2ncu\u0219i a realizat busturi din bronz, care oglindeau \u00eenc\u0103 influen\u021ba stilului academic, pe care \u00eel \u00eenv\u0103\u021base la Academia de Arte Frumoase din Bucure\u0219ti.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1914\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1906 (Paris) &#8211; Br\u00e2ncu\u0219i devine ucenicul lui Rodin<\/h5>\n<p>&nbsp;<\/p>\n<p>\u00cen Decembrie 1906, Br\u00e2ncu\u0219i \u00eel cunoa\u0219te pe marele sculptor Rodin. O etap\u0103 important\u0103 \u00een parcursul creator al lui Br\u00e2ncu\u0219i a fost \u0219i timpul petrecut de acesta ca ucenic \u00een atelierul lui Rodin, unde a creat sub influen\u021ba sculptorului francez lucr\u0103ri care purtau \u00een continuare amprenta stilului clasic. \u00cens\u0103, aceast\u0103 situa\u021bie nu avea s\u0103 dureze mult, Br\u00e2ncu\u0219i p\u0103r\u0103sindu-l destul de cur\u00e2nd, pentru a-\u0219i g\u0103si propria cale \u0219i identitate artistic\u0103.<\/p>\n<p>\u00cen final, desp\u0103r\u021birea dintre cei doi a fost inevitabil\u0103 \u0219i a fost redat\u0103 de Br\u00e2ncu\u0219i \u00eentr-o manier\u0103 aforistic\u0103: Nimic nu poate cre\u0219te la umbra marilor copaci.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1917\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1907 (Paris) &#8211; Prima comand\u0103 major\u0103 \u0219i primii pa\u0219i spre modernism<\/h5>\n<p>&nbsp;<\/p>\n<p>\u00cen anul 1907, Br\u00e2ncu\u0219i a ob\u021binut prima comand\u0103 major\u0103, din partea unei v\u0103duve \u00eenst\u0103rite, Eliza St\u0103nescu Popovici, pentru un monument funerar \u00eenchinat so\u021bului ei decedat. Este vorba de statuia unei fete ingenunchiate, intitulat\u0103 <em>Rug\u0103ciune<\/em>, prima oper\u0103 pe care a sculptat-o \u00een stil modernist, \u0219i care reprezint\u0103 prima etap\u0103 a evolu\u021biei sale spre simplificarea formelor.<\/p>\n<p>&nbsp;<\/p>\n<p>Pentru elaborarea ei, Br\u00e2ncu\u0219i a folosit o tehnic\u0103 pe care a preluat-o de la Rodin \u0219i care a devenit foarte popular\u0103 printre sculptorii avantgardi\u0219ti. Aceast\u0103 metod\u0103 consta \u00eentr-un proces de simplificare prin eliminarea p\u0103r\u021bilor de anatomie, \u00een scopuri expresive.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1920\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1908 (Paris) &#8211; Sculptura direct\u0103, esen\u021bializarea formelor \u0219i ini\u021bierea dialogului cu natura<\/h5>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i a continuat s\u0103 experimenteze \u00eentr-o manier\u0103 discret\u0103 cu tehnica sculpturii directe, realiz\u00e2nd sculptura <em>Cumin\u021benia P\u0103m\u00e2ntului<\/em>, undeva \u00eentre anii 1907 \u0219i 1908.<\/p>\n<p>&nbsp;<\/p>\n<p>Un loc aparte \u00een sculptura lui Br\u00e2ncu\u0219i \u00eel reprezint\u0103 o serie de motive a c\u0103ror surs\u0103 de inspira\u021bie este lumea animal\u0103: p\u0103s\u0103ri, pe\u0219ti, foci, pinguini, \u021bestoase. Niciunul dintre arti\u0219tii contemporanii cu Br\u00e2ncu\u0219i nu a \u00eenglobat \u00een opera sa vie\u021buitoare.<\/p>\n<p>&nbsp;<\/p>\n<p>Motivul p\u0103s\u0103rilor ocup\u0103 \u00eens\u0103 un loc special dup\u0103 cum reiese din num\u0103rul foarte de versiuni realizate pe aceast\u0103 tem\u0103, de\u0219i nu este cunoscut cu precizie, se afl\u0103 \u00eentre 34 \u0219i 43. Al\u0103turi de seria de sculpturi Doamna Pogany, aceste sculpturi ofer\u0103 un exemplu elocvent al modului \u00een care Br\u00e2ncu\u0219i a parcurs drumul spre esen\u021bializarea formelor.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1929\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1913 (Paris) &#8211; \u00cent\u00e2lnirea cu lemnul<\/h5>\n<p>&nbsp;<\/p>\n<p>Anul 1913 reprezint\u0103 o nou\u0103 etap\u0103 \u00een devenirea artistic\u0103 a lui Br\u00e2ncu\u0219i, care \u00ee\u0219i concentreaz\u0103 aten\u021bia, pentru prima dat\u0103, asupra unui nou material, \u0219i anume lemnul. \u00cen acest an produce prima sa lucrare \u00een lemn, <em>Primul Pas<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>Ia na\u0219tere un demers creator special, \u00een care lemnul reprezint\u0103 mediul ideal care-i permite, pe de o parte, s\u0103 dea via\u021b\u0103 elementelor culturale mo\u0219tenite din tradi\u021bia popular\u0103 rom\u00e2neasc\u0103, dar \u0219i s\u0103 foloseasc\u0103 tehnica sculpturii directe, iar pe de alt\u0103 parte s\u0103 valorifice latura sa practic\u0103 de me\u0219te\u0219ugar, prin realizarea de mobilier pentru propriul s\u0103u atelier.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1935\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1916 (Paris) &#8211; Atelierul lui Br\u00e2ncu\u0219i \u0219i casa<\/h5>\n<p>&nbsp;<\/p>\n<p>Anul 1916 reprezint\u0103 un alt moment important \u00een biografia lui Br\u00e2ncu\u0219i, deoarece marcheaz\u0103 momentul \u00een care se mut\u0103, la v\u00e2rsta de 42 de ani, din studioul s\u0103u de pe strada Montparnasse nr. 54, la noua sa adres\u0103, Impasse Ronsin nr. 8, unde \u00ee\u0219i va stabili atelierul \u0219i va locui p\u00e2n\u0103 la sf\u00e2r\u0219itul vie\u021bii.<\/p>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i dore\u0219te s\u0103 lase prin testament statului rom\u00e2n operele din atelierul s\u0103u situat pe Impasse Ronsin, \u00eens\u0103 autorit\u0103\u021bile rom\u00e2ne refuz\u0103, motiv pentru care renun\u021b\u0103 la cet\u0103\u021benia rom\u00e2n\u0103 \u0219i, \u00een anul 1952, o dob\u00e2nde\u0219te pe cea francez\u0103. Atelierul \u0219i tot patrimoniul s\u0103u artistic sunt d\u0103ruite \u021b\u0103rii sale de adop\u021bie.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li><li class=\"qode-hti-content\" data-date=\"14\/08\/1942\">\n\t<div class=\"qode-hti-content-inner qode-timeline-no-image\">\n\t\t<div class='qode-hti-content-inner-shadow'>\n\t\t\t\t\t\t<div class='qode-hti-content-value'>\n\t\t\t\t[vc_column_text]<\/p>\n<h5>1957 (Paris) &#8211; Trece \u00een nefiin\u021b\u0103 Constantin Br\u00e2ncu\u0219i<\/h5>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i moare pe data de 16 martie 1957, la v\u00e2rsta de 81 de ani. A fost \u00eengropat \u00een Cimitirul Montparnasse din Paris.[\/vc_column_text]\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/li>\t    <\/ol>\n\t<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1601021344368{margin-top: 20px !important;margin-bottom: 0px !important;}&#8221;][vc_column]<div class='testimonials_c_holder clearfix dark'><div class=\"testimonials_c testimonials_c_carousel\" data-show-navigation=\"yes\" data-animation-speed=\"\" data-auto-rotate-slides=\"10\" data-number-per-slide=\"1\"><ul class=\"slides\"><li id=\"testimonials-c-1213\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p>\u201eCioplirea direct\u0103 are un loc central \u00een opera lui Br\u00e2ncu\u0219i deoarece reflect\u0103 \u00eendep\u0103rtarea de paradigma artei clasice, al c\u0103rei reprezentant a fost Rodin, \u0219i deschide calea c\u0103tre na\u0219terea artei moderne. Br\u00e2ncu\u0219i a considerat c\u0103 tehnica sculpt\u0103rii directe este adev\u0103rata cale spre sculptur\u0103\u201d.<\/p><p class=\"testimonial_author\" style=\"font-size: 20px;\"><a style=\"color:#315996\">Teodor Frolu<\/a><\/p><\/div><\/div><\/div><\/li><li id=\"testimonials-c-1211\" class=\"testimonial_content\"><div class=\"testimonial_content_inner\"><div class=\"testimonial_text_holder\"><div class=\"testimonial_text_inner\" style=\"\"><p>\u201eBr\u00e2ncu\u0219i este un artizan \u00eenn\u0103scut. Nu e intersat de elevi, asisten\u021bi, lustruitori sau t\u0103ietori. El face totul pentru sine. Materialele sale \u00eei sunt \u00eentotdeauna fidele, \u00eentotdeauna credincioase. Trebuie s\u0103 le analizeze din fiecare unghi. Br\u00e2ncu\u0219i, dup\u0103 cum \u0219tim, este un rom\u00e2n din vechea \u021b\u0103r\u0103nime a acelei frumoase \u021b\u0103ri. El lucreaz\u0103 f\u0103r\u0103 mae\u0219tri sau discipoli, f\u0103r\u0103 publicitate, f\u0103r\u0103 a avea grija criticilor de art\u0103. Libertatea extrem\u0103 a Parisului i-a permis lui Br\u00e2ncu\u0219i s\u0103 r\u0103m\u00e2n\u0103 cel mai pu\u021bin \u201eparizian\u201d dintre rom\u00e2ni.\u201d<\/p><p class=\"testimonial_author\" style=\"font-size: 20px;\"><a style=\"color:#315996\">Paul Morand<\/a><\/p><\/div><\/div><\/div><\/li><\/ul><\/div><\/div>[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1599587648746{margin-top: 50px !important;margin-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h3>Direct carving<\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;24px&#8221;][vc_column_text]Tehnica sculpturii directe ocup\u0103 un loc central \u00een opera realizat\u0103 de Br\u00e2ncu\u0219i, fiind un subiect c\u0103ruia cercet\u0103torii i-au acordat o aten\u021bie sporit\u0103, aceasta reflect\u00e2nd o dep\u0103rtare de paradgima artei clasice, al c\u0103rei exponent, la \u00eenceputul secolului al XX-lea, era Rodin. Br\u00e2ncu\u0219i a considerat \u201ec\u0103 tehnica sculpturii directe este calea adev\u0103rat\u0103 c\u0103tre sculptur\u0103\u201d.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1601020285615{margin-top: 40px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Br\u00e2ncu\u0219i porne\u0219te pe acest nou drum artistic, care echivaleaz\u0103 cu o schimbare stilistic\u0103 \u0219i tehnic\u0103 deopotriv\u0103, \u00een 1907. Iese, astfel, definitiv de sub influen\u021ba lui Rodin &#8211; care transpare cel mai clar \u00een sculptura lui Br\u00e2ncu\u0219i intitulat\u0103 <em>Rug\u0103ciunea<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>Tehnica sculpturii directe este folosit\u0103 pentru prima dat\u0103 \u00een realizarea seriei de sculpturi <em>S\u0103rutul<\/em>. \u00centre anii 1907 \u0219i 1945, Br\u00e2ncu\u0219i a sculptat aproximativ opt versiuni ale <em>S\u0103rutului<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>De asemenea, seria de sculpturi <em>Muza Adormit\u0103<\/em> reprezint\u0103 un moment foarte important \u00een definirea stilului aristic al lui Br\u00e2ncu\u0219i, deoarece reliefeaz\u0103, la r\u00e2ndul ei, desp\u0103r\u021birea acestuia de stilul academic, printr-un proces continuu de simplificare \u0219i eliminare a elementelor figurative, dar \u0219i prin adoptarea tehnicii de direct carving, care presupune un prim pas \u00een drumul c\u0103tre arta modern\u0103.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1600094136595{padding-right: 60px !important;padding-left: 16px !important;}&#8221;][vc_single_image image=&#8221;1192&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1601020311846{margin-top: 40px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1193&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1600094136595{padding-right: 60px !important;padding-left: 16px !important;}&#8221;][vc_column_text]Br\u00e2ncu\u0219i a lucrat direct cu materialele sale, renun\u021b\u00e2nd, spre deosebire de Rodin, la folosirea unor modele din ipsos sau lut, premerg\u0103toare sculpturii propriu-zise. Prin folosirea acestei tehinci, Br\u00e2ncu\u0219i considera c\u0103 materialul este cel care \u00eel ghideaz\u0103 \u00een realizarea unei opere, iar menirea sculptorului este aceea de a descoperi forma care st\u0103 ascuns\u0103 \u00een materie.<\/p>\n<p>&nbsp;<\/p>\n<p>Un rol important \u00een adoptarea tehnicii sculpturii directe de c\u0103tre Br\u00e2ncu\u0219i \u00eel au abilit\u0103\u021bile sale de me\u0219te\u0219ugar pe care \u0219i le-a \u00eensu\u0219it \u00een tinere\u021be, \u00een urma studiilor pe care le-a efectuat \u00een Rom\u00e2nia, dar, \u00eentr-o mare m\u0103sur\u0103, \u0219i datorit\u0103 culturii populare care l-a modelat \u00eenc\u0103 de la cea mai fraged\u0103 v\u00e2rst\u0103, l\u0103s\u00e2nd o amprent\u0103 puternic\u0103 asupra sa.<\/p>\n<p>&nbsp;<\/p>\n<p>Aceasta se baza pe o rela\u021bie nemijlocit\u0103 \u0219i vie cu natura, \u00een care arta folcloric\u0103 se n\u0103\u0219tea din m\u00e2inile me\u0219te\u0219ugarului \u00eentre dimensiunea practic\u0103 a obiectelor, folosite \u00een via\u021ba de zi, \u0219i cea estetic\u0103.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1601020342209{margin-top: 40px !important;margin-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]F\u0103r\u0103 \u00eendoial\u0103, Br\u00e2ncu\u0219i a fost \u00een primul r\u00e2nd un artist \u0219i apoi un me\u0219te\u0219ugar, \u00eens\u0103 acest aspect al personalit\u0103\u021bii sale creatoare, de\u0219i secundar, a contribuit \u00een mod decesiv la realizarea operelor sale, ajut\u00e2ndu-l s\u0103 intre \u00eentr-o leg\u0103tur\u0103 special\u0103 cu materialul folosit, s\u0103-l \u00een\u021beleag\u0103, pentru a g\u0103si forma potrivit\u0103 \u00een func\u021bie de materialul utilizat. Astfel, operele sale au dep\u0103\u0219it func\u021bia utilitar\u0103 a obiectelor specifice me\u0219te\u0219ug\u0103ritului.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600347070223{margin-top: 80px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Prin felul \u00een care Br\u00e2ncu\u0219i a intervenit asupra materialului folosit la sculpturile sale, el a l\u0103sat s\u0103 se \u00eentrevad\u0103 leg\u0103tura lor originar\u0103 cu natura, aceasta fiind o caracteristic\u0103 specific\u0103 lucr\u0103rilor me\u0219te\u0219ugarilor populari sau a artizanilor africani.<\/p>\n<p>&nbsp;<\/p>\n<p>Tehnica sculpturii directe \u00eel pune pe Br\u00e2ncu\u0219i pe aceea\u0219i traiectorie cu cea a me\u0219te\u0219ugarului, fiind necesar\u0103, pentru a st\u00e2p\u00e2ni aceast\u0103 tehnic\u0103, o foarte bun\u0103 cunoa\u0219tere a tr\u0103s\u0103turilor materialului asupra c\u0103ruia se intervine.<\/p>\n<p>&nbsp;<\/p>\n<p>O alt\u0103 etap\u0103 important\u0103 \u00een devenirea artistic\u0103 a lui Br\u00e2ncu\u0219i a fost folosirea lemnului pentru realizarea sculpturilor sale. Astfel, ia na\u0219tere un demers creator special, \u00een care lemnul reprezint\u0103 mediul ideal care-i permite, pe de o parte, s\u0103 dea via\u021b\u0103 elementelor culturale mo\u0219tenite din tradi\u021bia popular\u0103 rom\u00e2neasc\u0103, dar \u0219i s\u0103 foloseasc\u0103 tehnica sculpturii directe, iar pe de alt\u0103 parte s\u0103 valorifice latura sa practic\u0103 de me\u0219te\u0219ugar, prin realizarea de mobilier pentru propriul s\u0103u atelier.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1600094136595{padding-right: 60px !important;padding-left: 16px !important;}&#8221;][vc_single_image image=&#8221;1194&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1601021408413{margin-top: 40px !important;margin-bottom: 40px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]Considerat un pionier al modernismului, unul dintre cei mai influen\u021bi sculptori ai secolului 20, Br\u00e2ncu\u0219i este cunoscut ca patriarhul sculpturii moderne. Stilul s\u0103u abstract subliniaz\u0103 liniile geometrice simple care echilibreaz\u0103 formele inerente \u00een materialele sale cu aluziile simbolice ale artei figurative.<\/p>\n<p>&nbsp;<\/p>\n<p>A \u00eenv\u0103\u021bat tehnica sculpturii \u00een lemn din cultura popular\u0103 rom\u00e2neasc\u0103 \u0219i arta popular\u0103, l\u0103s\u00e2ndu-se inspirat de lingurile de lemn, a\u0219ternuturile de pat \u0219i fa\u021badele casei, toate decorate cu semne sculptate, gravate sau cusute. Stilul acestor ornamente avea s\u0103 influen\u021beze mai multe din lucr\u0103rile lui Br\u00e2ncu\u0219i \u00een viitor.<\/p>\n<p>&nbsp;<\/p>\n<p>Br\u00e2ncu\u0219i a fost \u00een primul r\u00e2nd artist \u0219i abia apoi me\u0219ter. Totu\u0219i, acest aspect secundar al personalit\u0103\u021bii sale creative a contribuit \u00een mare m\u0103sur\u0103 la realizarea sculpturilor sale, ajut\u00e2ndu-l s\u0103 stabileasc\u0103 o leg\u0103tur\u0103 special\u0103 cu materialul folosit, pentru a g\u0103si forma potrivit\u0103 \u00een func\u021bie de materialul pe care urma s\u0103-l prelucreze.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600347077954{margin-top: 80px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=xcXBPgFl2sg&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1600094136595{padding-right: 60px !important;padding-left: 16px !important;}&#8221;][vc_column_text]<\/p>\n<h5>Doina Lemny, muzeograf onorific la Muzeul Na\u021bional de Art\u0103 Modern\u0103, Centrul Pompidou, Paris despre Br\u00e2ncu\u0219i:<\/h5>\n<p>&nbsp;<\/p>\n<p>Filosofia lui Br\u00e2ncu\u0219i este, cred eu, mai bine rezumat\u0103 \u00eentr-o not\u0103 de atelier pe care o citez acum:<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #426ca5;\">\u201ePatria mea, familia mea, e P\u0103m\u00e2ntul care se \u00eenv\u00e2rte. Adierea v\u00e2ntului, norii care trec, r\u00e2ul care curge, focul care dogore\u0219te, iarba verde, iarba uscat\u0103, \u021b\u0103r\u00e2na, z\u0103pada.\u201d &#8211; <strong>Constantin Br\u00e2ncu\u0219i<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Cu aceasta, Br\u00e2ncu\u0219i a traversat toate grani\u021bele \u0219i geografice \u0219i artistice \u0219i a devenit Universal.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1601021388679{margin-top: 40px !important;margin-bottom: 40px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]Ca orice artist g\u00e2nditor, Constantin Br\u00e2ncu\u0219i face mai mult dec\u00e2t s\u0103 pun\u0103 o oglind\u0103 \u00een fa\u021ba societ\u0103\u021bii; el for\u021beaz\u0103 atitudini \u0219i scutur\u0103 con\u0219tiin\u021be. Cu aplecarea sa c\u0103tre materie \u0219i \u00eenver\u0219unarea de a extrage \u00eentotdeauna esen\u021ba \u2013 a\u0219a cum zborul este esen\u021ba p\u0103s\u0103rii -, cu temeinicia efortului unui \u021b\u0103ran care are de f\u0103cut o treab\u0103, Br\u00e2ncu\u0219i exprim\u0103 cel mai elocvent acordul de cooperare \u00eentre om \u0219i natur\u0103 \u0219i astfel aduce argumentul artei.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600347077954{margin-top: 80px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]V\u0103 invit\u0103m s\u0103 urm\u0103ri\u021bi conferin\u021ba \u201eDialogurile lui Br\u00e2ncu\u0219i cu Natura &#8211; forme care trimit c\u0103tre esen\u021ba vie\u021bii\u201d, prin care ne-am propus s\u0103 afl\u0103m care e leg\u0103tura dintre dezvoltarea durabil\u0103 \u0219i arta lui Br\u00e2ncu\u0219i.<\/p>\n<p>&nbsp;<\/p>\n<p>Particip\u0103: Doina Lemny, muzeograf onorific la Muzeul Na\u021bional de Art\u0103 Modern\u0103, <a href=\"https:\/\/www.centrepompidou.fr\/en\" target=\"_blank\" rel=\"noopener noreferrer\">Centrul Pompidou<\/a>, Paris, C\u0103lin Dan, directorul <a href=\"https:\/\/www.mnac.ro\/home\" target=\"_blank\" rel=\"noopener noreferrer\">Muzeului Na\u021bional de Art\u0103 Contemporan\u0103<\/a>, Teodor Frolu, antreprenor \u00een industrii creative \u0219i curatorul expozi\u021biei \u201eDe ce ne rabd\u0103 P\u00e2m\u00e2ntul?\u201d \u0219i Dan Vezentan, artistul care a realizat expozi\u021bia.<\/p>\n<p>&nbsp;<\/p>\n<p>Conferin\u021ba este organizat\u0103 \u00een cadrul proiectului cultural \u201eEste dezvoltarea unei lumi durabile un act cultural? Antipa, Br\u00e2ncu\u0219i \u0219i Georgescu-Roegen\u201d, ini\u021biat de <a href=\"http:\/\/dccom.ro\/\" target=\"_blank\" rel=\"noopener noreferrer\">DC Communication<\/a>, \u00een parteneriat cu <a href=\"https:\/\/rowmania.ro\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rowmania<\/a>, <a href=\"https:\/\/antipa.ro\/\" target=\"_blank\" rel=\"noopener noreferrer\">Muzeul Na\u0163ional de Istorie Natural\u0103 \u201eGrigore Antipa\u201d<\/a>, co-finan\u021bat de <a href=\"https:\/\/www.afcn.ro\/\" target=\"_blank\" rel=\"noopener noreferrer\">AFCN<\/a>, sprijinit de <a href=\"https:\/\/aquacarpatica.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">AQUA Carpatica<\/a> \u0219i <a href=\"http:\/\/www.bucurestifm.ro\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bucure\u0219ti FM<\/a>.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1600094136595{padding-right: 60px !important;padding-left: 16px !important;}&#8221;][vc_raw_html]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[\/vc_raw_html][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600346906990{margin-top: 30px !important;margin-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h2>Br\u00e2ncu\u0219i \u00een <a href=\"https:\/\/traditiicreative.ro\/precursori\/expozitie\/\">#ExpoArgument<\/a><\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600347019672{margin-top: 50px !important;margin-bottom: 50px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div class=\"qode-comparison-slider qode-comparison-slider-light\" data-orientation=\"horizontal\" data-offset=\"50\">\n        <img fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Group-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Group-1.jpg 600w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Group-1-300x300.jpg 300w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Group-1-150x150.jpg 150w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Group-1-570x570.jpg 570w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Group-1-500x500.jpg 500w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>        <img decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Layer-0-2.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Layer-0-2.png 600w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Layer-0-2-300x300.png 300w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Layer-0-2-150x150.png 150w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Layer-0-2-570x570.png 570w, https:\/\/traditiicreative.ro\/precursori\/wp-content\/uploads\/2020\/09\/Layer-0-2-500x500.png 500w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>    <\/div>[vc_empty_space]<div class=ordered><\/p>\n<h6>1. Unelte pentru prelucrarea lemnului*<\/h6>\n<h6>2. Ferestrele atelierului din Impasse Ronsin, Paris<\/h6>\n<h6>3. Spatele dioramei este inspirat din lucr\u0103rile lui Br\u00e2ncu\u0219i<\/h6>\n<p>&nbsp;<\/p>\n<p><em>*Colec\u021bia Radu Dumitriu<\/em><\/div>[\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600347089759{margin-top: 80px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column]<div class=\"qode-accordion-holder clearfix qode-toggle qode-initial \">\n\t<h4 class=\"clearfix qode-title-holder\">\n<span class=\"qode-tab-title\">\n\t    <span class=\"qode-tab-title-inner\">\n        Credite foto    <\/span>\n<\/span>\n<span class=\"qode-accordion-mark\">\n    <span class=\"qode-accordion-mark-icon\">\n        <span class=\"icon_plus\"><\/span>\n        <span class=\"icon_minus-06\"><\/span>\n    <\/span>\n<\/span>\n<\/h4>\n<div  class=\"qode-accordion-content \" >\n    <div class=\"qode-accordion-content-inner\">\n        [vc_column_text]1. Brancusi working to the <em>Endless Column<\/em>, 1924-1925<\/p>\n<p>Gelatin-silver print<\/p>\n<p>Legs Brancusi 1957, Centre Pompidou Paris<\/p>\n<p>&nbsp;<\/p>\n<p><em>2. Brancusi working in his studio<\/em>, cca 1922<\/p>\n<p>Gelatin-silver print<\/p>\n<p>Legs Brancusi 1957, Centre Pompidou Paris<\/p>\n<p>&nbsp;<\/p>\n<p>3. Brancusi, <em>Self Portrait<\/em> in his studio, 1922<\/p>\n<p>Gelatin-silver print<\/p>\n<p>Legs Brancusi 1957, Centre Pompidou Paris<\/p>\n<p>&nbsp;<\/p>\n<p><em>4. Brancusi working by night in his studio<\/em>, 1920<\/p>\n<p>Gelatin-silver print<\/p>\n<p>Legs Brancusi 1957, Centre Pompidou Paris[\/vc_column_text]    <\/div>\n<\/div><h4 class=\"clearfix qode-title-holder\">\n<span class=\"qode-tab-title\">\n\t    <span class=\"qode-tab-title-inner\">\n        Documentare    <\/span>\n<\/span>\n<span class=\"qode-accordion-mark\">\n    <span class=\"qode-accordion-mark-icon\">\n        <span class=\"icon_plus\"><\/span>\n        <span class=\"icon_minus-06\"><\/span>\n    <\/span>\n<\/span>\n<\/h4>\n<div  class=\"qode-accordion-content \" >\n    <div class=\"qode-accordion-content-inner\">\n        [vc_column_text]Eugen Stafie[\/vc_column_text]    <\/div>\n<\/div><h4 class=\"clearfix qode-title-holder\">\n<span class=\"qode-tab-title\">\n\t    <span class=\"qode-tab-title-inner\">\n        Bibliografie    <\/span>\n<\/span>\n<span class=\"qode-accordion-mark\">\n    <span class=\"qode-accordion-mark-icon\">\n        <span class=\"icon_plus\"><\/span>\n        <span class=\"icon_minus-06\"><\/span>\n    <\/span>\n<\/span>\n<\/h4>\n<div  class=\"qode-accordion-content \" >\n    <div class=\"qode-accordion-content-inner\">\n        [vc_column_text]1. Miller, Sanda. Constantin Brancusi. Reaktion Books, 2010.<br \/>\n2. Gale M. Brancusi: An equal among rocks, trees, people, beasts and plants. In \u201cConstantin Brancusi: the essence of things\u201d, London: Tate Publishing, 2004.<br \/>\n3. Miholca, Amelia. Constantin Brancusi&#8217;s Primitivism. Arizona State University, 2014.<br \/>\n4. Morand, Paul. Brancusi, exh. cat., Joseph Brummer Gallery, New York, 26 November\u201315 December (1926).<\/p>\n<p>&nbsp;<\/p>\n<p>Online:<\/p>\n<p>&nbsp;<\/p>\n<p>https:\/\/www.studiointernational.com\/index.php\/constantin-brancusi-the-essence-of-things<\/p>\n<p>http:\/\/www.hypocritedesign.com\/constantin-brancusi\/<\/p>\n<p>http:\/\/www.visualpast.de\/archive\/pdf\/vp2014_0013.pdf<\/p>\n<p>https:\/\/www.tate.org.uk\/download\/file\/fid\/6388<\/p>\n<p>https:\/\/www.guggenheim-bilbao.eus\/en\/guia-educadores\/unity-and-duality\/<\/p>\n<p>http:\/\/www.visualpast.de\/archive\/pdf\/vp2014_0013.pdf<\/p>\n<p>https:\/\/www.studiointernational.com\/index.php\/constantin-brancusi-the-essence-of-things[\/vc_column_text]    <\/div>\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600347097082{margin-top: 80px !important;margin-bottom: 80px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1 style=\"text-align: center;\">Precursori<\/h1>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; el_class=&#8221;images-hover no-bckg-img-ipad&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;50px&#8221;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">Antipa<\/h2>\n<p>[\/vc_column_text][vc_single_image image=&#8221;443&#8243; img_size=&#8221;full&#8221; onclick=&#8221;custom_link&#8221; qode_css_animation=&#8221;element_from_left&#8221; qode_hover_animation=&#8221;zoom_in&#8221; link=&#8221;https:\/\/traditiicreative.ro\/precursori\/precursori\/antipa\/&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;50px&#8221;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">Br\u00e2ncu\u0219i<\/h2>\n<p>[\/vc_column_text][vc_single_image image=&#8221;444&#8243; img_size=&#8221;full&#8221; onclick=&#8221;custom_link&#8221; qode_css_animation=&#8221;element_from_bottom&#8221; qode_hover_animation=&#8221;zoom_in&#8221; link=&#8221;https:\/\/traditiicreative.ro\/precursori\/precursori\/brancusi\/&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;50px&#8221;][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">Roegen<\/h2>\n<p>[\/vc_column_text][vc_single_image image=&#8221;442&#8243; img_size=&#8221;full&#8221; onclick=&#8221;custom_link&#8221; qode_css_animation=&#8221;element_from_right&#8221; qode_hover_animation=&#8221;zoom_in&#8221; link=&#8221;https:\/\/traditiicreative.ro\/precursori\/precursori\/roegen\/&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1600609565064{padding-top: 50px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_empty_space height=&#8221;80px&#8221; el_class=&#8221;hidemobile&#8221;][vc_column_text] Constantin Br\u00e2ncu\u0219i [\/vc_column_text][vc_empty_space height=&#8221;24px&#8221;][vc_column_text] (1876 &#8211; 1957) [\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_empty_space height=&#8221;80px&#8221;][vc_column_text] Br\u00e2ncu\u0219i, unul dintre cei mai \u201euniversali\u201c rom\u00e2ni, este artistul care, \u00een secolul al XX-lea, a transformat complet arta modern\u0103 \u0219i&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-328","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Br\u00e2ncu\u0219i - Precursori - Tradi\u021bii Creative<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/traditiicreative.ro\/precursori\/brancusi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Br\u00e2ncu\u0219i - Precursori - Tradi\u021bii Creative\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=&#8221;&#8221; 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